It is (in my opinion) superior to FCPx, Premiere, and Avid in almost every single conceivable way.īut I will admit that some of the features that are intuitive in Premiere can often be obfuscated by the seemingly endless panels and tabs in Resolve. Ever since then, I’ve used Resolve almost every single day, and I really like it. It was the summer of 2013, and it was the only software that could easily process the 14-bit raw footage from my Magic Lantern hacked Canon 5D Mark III. It wasn’t that long ago that I started using DaVinci Resolve. Have a look at Jay Lippman‘s tutorial to see how easy and effective the new stabilization tab can be in Resolve 16, and start showcasing your silky smooth footage today! What used to be a painful chore in previous versions of DaVinci Resolve can now be performed right in the edit page in just a few clicks.

This is entirely understandable since the often amazing and powerful features that Resolve has to offer are usually buried in menus or involve confusing nodes but Blackmagic is going a long way to make things easier to find. There has always been somewhat of a misconception that DaVinci Resolve is too complex. Smooth, stable footage is the mark of professional filmmaking and applying stabilization to footage in DaVinci Resolve has never been easier than in version 16.

Davinci resolve 16